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Proceedings

The proceedings of the MOCO symposium are published on the ACM Digital library under the International Conference Proceedings Series.

MOCO'16 Online Proceedings
MOCO'15 Online Proceedings
MOCO'14 Online Proceedings

MOCO Publications

MOCO'16

  • “Sarka: Sonification and Somaesthetic Appreciation Design,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 1:1--1:8. DOI: 10.1145/2948910.2948922.
  • “A Novel Tool for Motion Capture Database Factor Statistical Exploration,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 2:1--2:8. DOI: 10.1145/2948910.2948923.
  • “Pottery Gestures Style Comparison by Exploiting Myo Sensor and Forearm Anatomy,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 3:1--3:8. DOI: 10.1145/2948910.2948924.
  • “Neural Narratives: Dance with Virtual Body Extensions,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 4:1--4:8. DOI: 10.1145/2948910.2948925.
  • “BalOnSe: Ballet Ontology for Annotating and Searching Video Performances,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 5:1--5:8. DOI: 10.1145/2948910.2948926.
  • “The Dancer in the Eye: Towards a Multi-Layered Computational Framework of Qualities in Movement,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 6:1--6:7. DOI: 10.1145/2948910.2948927.
  • “Exploring Audience Behaviour During Contemporary Dance Performances,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 7:1--7:7. DOI: 10.1145/2948910.2948928.
  • “Movement Notation and Digital Media Art in the Contemporary Dance Practice: Aspects of the Making of a Multimedia Dance Performance,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 8:1--8:7. DOI: 10.1145/2948910.2948929.
  • “Outcome Measures of Deliberate and Spontaneous Motions,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 9:1--9:8. DOI: 10.1145/2948910.2948930.
  • “Towards a Multimodal Repository of Expressive Movement Qualities in Dance,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 10:1--10:8. DOI: 10.1145/2948910.2948931.
  • “MoComp: A Tool for Comparative Visualization Between Takes of Motion Capture Data,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 11:1--11:8. DOI: 10.1145/2948910.2948932.
  • “A User-Adaptive Gesture Recognition System Applied to Human-Robot Collaboration in Factories,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 12:1--12:7. DOI: 10.1145/2948910.2948933.
  • “Quantitative Evaluation of Percussive Gestures by Ranking Trainees Versus Teacher,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 13:1--13:8. DOI: 10.1145/2948910.2948934.
  • “Techniques and Approaches in Static Visualization of Motion Capture Data,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 14:1--14:8. DOI: 10.1145/2948910.2948935.
  • “Automatic Affect Classification of Human Motion Capture Sequences in the Valence-Arousal Model,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 15:1--15:8. DOI: 10.1145/2948910.2948936.
  • “Touching Data Through Personal Devices: Engaging Somatic Practice and Haptic Design in Felt Experiences of Personal Data,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 16:1--16:8. DOI: 10.1145/2948910.2948937.
  • “Motion, Captured: An Open Repository for Comparative Movement Studies,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 17:1--17:6. DOI: 10.1145/2948910.2948938.
  • “I Am a Tree: Embodiment Using Physically Based Animation Driven by Expressive Descriptors of Motion,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 18:1--18:8. DOI: 10.1145/2948910.2948939.
  • “Moving Music: Exploring Movement-to-Sound Relationships,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 19:1--19:8. DOI: 10.1145/2948910.2948940.
  • “How Do Choreographers Craft Dance?: Designing for a Choreographer-Technology Partnership,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 20:1--20:8. DOI: 10.1145/2948910.2948941.
  • “M+M: A Novel Middleware for Distributed, Movement Based Interactive Multimedia Systems,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 21:1--21:9. DOI: 10.1145/2948910.2948942.
  • “INGREDIBLE: A Platform for Full Body Interaction Between Human and Virtual Agent That Improves Co-presence,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 22:1--22:8. DOI: 10.1145/2948910.2948943.
  • “The i-Treasures Intangible Cultural Heritage Dataset,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 23:1--23:8. DOI: 10.1145/2948910.2948944.
  • “spaceDisplaced: Investigating Presence Through Mediated Participatory Environments,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 24:1--24:6. DOI: 10.1145/2948910.2948945.
  • “A Tabletop Instrument for Manipulation of Sound Morphologies with Hands, Fingertips and Upper-body,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 25:1--25:8. DOI: 10.1145/2948910.2948946.
  • “Fingers Gestures Early-recognition with a Unified Framework for RGB or Depth Camera,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 26:1--26:8. DOI: 10.1145/2948910.2948947.
  • “Autopoiesis in Creativity and Art,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 27:1--27:6. DOI: 10.1145/2948910.2948948.
  • “3D-scene Modelling of Professional Gestures when Interacting with Moving, Deformable and Revolving Objects,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 28:1--28:7. DOI: 10.1145/2948910.2948949.
  • “Control of a Slide Flute: A Mechatronic Project,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 29:1--29:5. DOI: 10.1145/2948910.2948921.
  • “On Mapping Emotional States and Implicit Gestures to Sonification Output from the 'Intangible Musical Instrument',” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 30:1--30:5. DOI: 10.1145/2948910.2948950.
  • “What is Movement Interaction in Virtual Reality for?,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 31:1--31:4. DOI: 10.1145/2948910.2948951.
  • “Error Prooving and Sensorimotor Feedback for Singing Voice,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 32:1--32:4. DOI: 10.1145/2948910.2948952.
  • “Gestures: Emotions Interaction: E-Viographima Application for Visual Artistic Synthesis,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 33:1--33:5. DOI: 10.1145/2948910.2948953.
  • “Compensating for Sub-pixel Shift in Motion Estimation,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 34:1--34:6. DOI: 10.1145/2948910.2948954.
  • “Perspectives on Real-time Computation of Movement Coarticulation,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 35:1--35:5. DOI: 10.1145/2948910.2948956.
  • “Motions and Experiences in a Multiuser Interactive Installation: Towards an Embodied Account of Visitors' Journey,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 36:1--36:4. DOI: 10.1145/2948910.2948957.
  • “Learning Activity Patterns Performed With Emotion,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 37:1--37:4. DOI: 10.1145/2948910.2948958.
  • “Towards the Design of Augmented Feedforward and Feedback for Sensorimotor Learning of Motor Skills,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 38:1--38:4. DOI: 10.1145/2948910.2948959.
  • “A Serious Games Platform for Validating Sonification of Human Full-body Movement Qualities,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 39:1--39:5. DOI: 10.1145/2948910.2948962.
  • “Using Interactive Machine Learning to Sonify Visually Impaired Dancers' Movement,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 40:1--40:4. DOI: 10.1145/2948910.2948960.
  • “3D Annotation in Contemporary Dance: Enhancing the Creation-Tool Video Annotator,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 41:1--41:4. DOI: 10.1145/2948910.2948961.
  • “Presenting a Performative Presence: Materializing Movement Data for the Design of Digital Interactions,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 42:1--42:2. DOI: 10.1145/2948910.2948911.
  • “WhoLoDancE: Towards a Methodology for Selecting Motion Capture Data Across Different Dance Learning Practice,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 43:1--43:2. DOI: 10.1145/2948910.2948912.
  • “Hand Gestures During Collaborative Problem Solving,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 44:1--44:2. DOI: 10.1145/2948910.2948913.
  • “Voice and Movement As Predictors of Gesture Types and Physical Effort in Virtual Object Interactions of Classical Indian Singing,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 45:1--45:2. DOI: 10.1145/2948910.2948914.
  • “Prototyping Interactions with Online Multimodal Repositories and Interactive Machine Learning,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 46:1--46:2. DOI: 10.1145/2948910.2948915.
  • “Movement of Things Exploring Inertial Motion Sensing When Autonomous, Tiny and Wireless,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 47:1--47:2. DOI: 10.1145/2948910.2948916.
  • “A 3D Application to Familiarize Children with Sign Language and Assess the Potential of Avatars and Motion Capture for Learning Movement,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 48:1--48:2. DOI: 10.1145/2948910.2948917.
  • “Rock Art Rocks Me,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 49:1--49:2. DOI: 10.1145/2948910.2948918.
  • “Extending Methods of Composition and Performance for Live Media Art Through Markerless Voice and Movement Interfaces: An Artist Perspective,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 50:1--50:2. DOI: 10.1145/2948910.2948920.
  • “Deaf Poetry: Saying Everything Without Speaking,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 51:1--51:2. DOI: 10.1145/2948910.2955108.
  • “InterACTE: Improvising with a Virtual Actor,” Proceedings of the 3rd International Symposium on Movement and Computing (MOCO '16) , Thessaloniki, GA, Greece, ACM, , pp. 52:1--52:2. DOI: 10.1145/2948910.2955109.

MOCO'15

  • “Embodied Design of Full Bodied Interaction with Virtual Humans,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 1--8. DOI: 10.1145/2790994.2790996.
  • “Embodied Flow in Experiential Media Systems: A Study of the Dancer's Lived Experience in a Responsive Audio System,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 9--16. DOI: 10.1145/2790994.2790997.
  • “Interactive Tango Milonga: Designing Internal Experience,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 17--20. DOI: 10.1145/2790994.2791013.
  • “A Review of Computable Expressive Descriptors of Human Motion,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 21--28. DOI: 10.1145/2790994.2790998.
  • “Movement Sequence Analysis Using Hidden Markov Models: A Case Study in Tai Chi Performance,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 29--36. DOI: 10.1145/2790994.2791006.
  • “Multitask Learning for Laban Movement Analysis,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 37--44. DOI: 10.1145/2790994.2791009.
  • “Kinesonic Approaches to Mapping Movement and Music with the Remote Electroacoustic Kinesthetic Sensing (RAKS) System,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 45--47. DOI: 10.1145/2790994.2791020.
  • “Designing the Techno-somatic,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 48--51. DOI: 10.1145/2790994.2791011.
  • “Performer-machine Scores for Choreographing Bodies, Interaction and Kinetic Materials,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 52--59. DOI: 10.1145/2790994.2790999.
  • “Conceptualising Interaction in Live Performance: Reflections on 'Encoded',” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 60--67. DOI: 10.1145/2790994.2791003.
  • “Sketching Movement: Designing Creativity Tools for In-situ, Whole-body Authorship,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 68--75. DOI: 10.1145/2790994.2791007.
  • “Adaptive/Responsive Movement Approach: Dance Making As Interactive System Design,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 76--79. DOI: 10.1145/2790994.2791017.
  • “Kinetic Dialogues: Enhancing Creativity in Dance,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 80--83. DOI: 10.1145/2790994.2791018.
  • “How Do Experts Observe Movement?,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 84--91. DOI: 10.1145/2790994.2791000.
  • “Extending Computational Models of Abstract Motion with Movement Qualities,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 92--99. DOI: 10.1145/2790994.2791008.
  • “Influence of Movement Expertise on a Virtual Point-to-origin Task,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 100--103. DOI: 10.1145/2790994.2791014.
  • “Sketches vs Skeletons: Video Annotation Can Capture What Motion Capture Cannot,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 104--111. DOI: 10.1145/2790994.2790995.
  • “Defining Accuracy in the Use of Kinect V2 for Exercise Monitoring,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 112--119. DOI: 10.1145/2790994.2791002.
  • “Towards Realtime Measurement of Connectedness in Human Movement,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 120--123. DOI: 10.1145/2790994.2791012.
  • “[Radical] Signals from Life: From Muscle Sensing to Embodied Machine Listening/Learning Within a Large-scale Performance Piece,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 124--127. DOI: 10.1145/2790994.2791015.
  • “Experimenting with Noise in Markerless Motion Capture,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 128--131. DOI: 10.1145/2790994.2791019.
  • “Music Means Movement: Musings on Methods for Movement Analysis in Music,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 132--139. DOI: 10.1145/2790994.2791001.
  • “Hearing Movement: How Taiko Can Inform Automatic Recognition of Expressive Movement Qualities,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 140--147. DOI: 10.1145/2790994.2791004.
  • “An Analysis of Basic Expressive Qualities in Instrumental Conducting,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 148--155. DOI: 10.1145/2790994.2791005.
  • “Sound Space and Spatial Sampler,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 156--159. DOI: 10.1145/2790994.2791010.
  • “Indirection Between Movement and Sound in an Interactive Sound Installation,” Proceedings of the 2Nd International Workshop on Movement and Computing (MOCO '15) , Vancouver, British Columbia, Canada, ACM, , pp. 160--163. DOI: 10.1145/2790994.2791016.

MOCO'14

  • “Choreography as Mediated through Compositional Tools for Movement: Constructing A Historical Perspective,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 1--6. DOI: 10.1145/2617995.2617996.
  • “Pre-Choreographic Movement Kit,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 7--12. DOI: 10.1145/2617995.2617997.
  • “Designing Interaction Categories for Kinesthetic Empathy: A Case Study of Synchronous Objects,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 13--18. DOI: 10.1145/2617995.2617998.
  • “Capturing Human Movement in the Wild,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 19--24. DOI: 10.1145/2617995.2617999.
  • “From Dance Notation to Conceptual Models: A Multilayer Approach,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 25--30. DOI: 10.1145/2617995.2618000.
  • “Point-based Medialness for Movement Computing,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 31--36. DOI: 10.1145/2617995.2618001.
  • “Mova: Interactive Movement Analytics Platform,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 37--42. DOI: 10.1145/2617995.2618002.
  • “Tagging with Movement: Somatic Strategies for Image Classification,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 43--48. DOI: 10.1145/2617995.2618003.
  • “Collection and characterization of emotional body behaviors,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 49--54. DOI: 10.1145/2617995.2618004.
  • “36 Walk: a case study of reciprocity in movement and computation,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 55--60. DOI: 10.1145/2617995.2618005.
  • “Crosstalk: Making people in interactive spaces,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 61--65. DOI: 10.1145/2617995.2618006.
  • “The Synekine Project,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 66--69. DOI: 10.1145/2617995.2618007.
  • “Teaching a Digital Performing Agent: Artificial Neural Network and Hidden Markov Model for recognising and performing dance movement,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 69--75. DOI: 10.1145/2617995.2618008.
  • “Motion Modeling for Expressive Interaction - A Design Proposal using Bayesian Adaptive Systems,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 76--81. DOI: 10.1145/2617995.2618009.
  • “Hidden Markov Model Based Real-Time Motion Recognition and Following,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 82--87. DOI: 10.1145/2617995.2618010.
  • “Brahms, Bodies and Backpropagation,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 88--93. DOI: 10.1145/2617995.2618011.
  • “Dynamic dance warping: Using dynamic time warping to compare dance movement performed under different conditions,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 94--99. DOI: 10.1145/2617995.2618012.
  • “Gesture in performance with traditional musical instruments and electronics - Use of embodied music cognition and multimodal motion capture to design gestural mapping strategies,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 100--105. DOI: 10.1145/2617995.2618013.
  • “Watch This! Expressive Movement in Electronic Music Performance,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 106--111. DOI: 10.1145/2617995.2618014.
  • “Handedness in Percussion Sight-Reading,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 112--117. DOI: 10.1145/2617995.2618015.
  • “Beat Tracking from Conducting Gestural Data: a Multi-Subject Study,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 118--123. DOI: 10.1145/2617995.2618016.
  • “Embodied Design of Dance Visualisations,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 124--129. DOI: 10.1145/2617995.2618017.
  • “Designing for Movement – the Case of Sports,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 130--135. DOI: 10.1145/2617995.2618018.
  • “Grappling with Movement Models: Performing Arts and Slippery Contexts,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 136--141. DOI: 10.1145/2617995.2618019.
  • “Implementations of the Leap Motion device in sound synthesis and interactive live performance,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 142--145. DOI: 10.1145/2617995.2618020.
  • “Non-tactile Gestural Control in Musical Performance,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 146--149. DOI: 10.1145/2617995.2618021.
  • “Creative Control of Granular Synthesis Using Fluid Simulation & Motion Tracking,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 150--153. DOI: 10.1145/2617995.2618022.
  • “Analyzing expressive styles and functions of bodily movement in violinist performance,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 154--155. DOI: 10.1145/2617995.2618023.
  • “Micro-movement as physical signature of movement intention in work of choreographer Myriam Gourfink,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 156--157. DOI: 10.1145/2617995.2618024.
  • “Perceptual evaluation of qualitative information conservation within point-light display,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 158--161. DOI: 10.1145/2617995.2618025.
  • “Towards a Live Dance Improvisation between an Avatar and a Human Dancer,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 162--165. DOI: 10.1145/2617995.2618026.
  • “Interaction events in contactless gestural systems: from motion to interaction,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 166--169. DOI: 10.1145/2617995.2618027.
  • “Notes on Bimodal Muscle Sensing for the Sonification of Indeterminate Motion,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 170--171. DOI: 10.1145/2617995.2618028.
  • “Offline statistical analysis of gestural skills in pottery interaction,” Proceedings of the International Workshop on Movement and Computing (MOCO'14) , Paris, France, ACM, , pp. 172--173. DOI: 10.1145/2617995.2618029.